In the new era, we need to do something new. " Standing at the new starting point and the forefront of China's international communication in the new era, we should never forget our original mind and mission, constantly open up a new situation in foreign publicity, strive to write a magnificent chapter of telling the Chinese story in the new era, and continue to write a new brilliance to enhance the international influence of Chinese culture. In order to further expand the influence of Chinese brand culture in the world and realize the social and economic value of artworks to a greater extent, Cai Mingzhen, the third generation inheritor of the intangible cultural heritage of the artists of virtue, art and double happiness, and the new work of CAI Mingzhen, the inheritor of the third generation of Jingshan peony painting method of Chinese brand culture, are selected as the leading figures of Chinese brand culture on the international stage to lead the new era and fashion!
Cai Mingzhen (born in 1949), President of MI Xiangyang painting and Calligraphy Research Institute, member of the Ministry of culture of the people's Republic of China, China Association for the promotion of cultural and art development, painter (inheritor of Jingshan peony painting intangible cultural heritage). At present, he is the honorary president of Beijing Yanjing Academy of calligraphy and painting, director of Chinese Artists Association, Honorary Professor of Chinese contemporary painting and Calligraphy Art Research Association, executive vice chairman of Xiangyang people's Government painting and Calligraphy Research Association, lecturer of Xiangyang University for the aged, chairman of painting and Calligraphy Society of Xiangyang University for the aged, and artist. He is good at fine brushwork, freehand brushwork of flowers and birds and root carving art. His traditional Chinese painting works have won many awards in the National Exhibition competitions of provinces, cities and districts.
In 1993, the Chinese painting "Epiphyllum" was exhibited in Kunshan City, Japan. In 1997, the work "rose flowers" participated in the art works provincial tour exhibition held by Hubei Art Association. In May 1999, the "Cai Mingzhen root art works exhibition" was held in Xiangyang City. In 1999, he worked as an art worker in the "siren sound" shot by Xiaoxiang film studio. In September 2003, the work was the seventh time for international painting and calligraphy aesthetic appreciation In the exhibition, he won the gold medal and was selected to travel to Seoul, Japan, Tokyo, Montreal, Canada, Sao Paulo, Brazil and other places for exhibition and collection. In October 2003, his works were collected by the International Oriental Art Research Center. In December 2003, his works were collected by Mao Anqing and Shaohua, the sons of Mao Zedong. In September 2004, his works were approved by the Chinese Academy of calligraphy and painting and granted special assistance to "top 100 Chinese calligraphy and painting artists" Title: in April 2007, it was appraised 2000 yuan per square foot by the evaluation committee of the cultural market development center of the Ministry of culture of the people's Republic of China. Some of its works have been successively published in the research of flower and bird painting, the collection magazine of Chinese customs, art masters, the magazine of Chinese painters, Xiangyang daily, Xiangyang evening news, Mingcheng daily, culture and art daily, people's daily Published in overseas edition and other publications, some of its works have been included in more than 50 books, such as the world's Chinese literary and art celebrities, the Chinese calligraphy and painting masters' works exhibition, international modern calligraphy and painting boutique Runge, and the Chinese calligraphy and painting artists' ceremony. Some of the works are collected by Japanese, Korean, Taiwanese, Australian and foreign friends.
On CAI Mingzhen's flower and bird painting art
Mr. Cai Mingzhen has many excellent works of calligraphy and painting in provincial, municipal and national publications
Publish. The body of his works describes the broad and profound connotation with condensed and flexible ink, highlighting his deep observation of life and deep understanding of the essence of things. Distinctive personality, high spirits, simple and fluent pen. It has a profound meaning. No matter it's plot or ink rendering, it shows its skillful artistic skill. It creatively realizes the harmony and unity of artistic realm and expression technique, free kingdom and real space. All of these are the natural expression of passion and inspiration, which gives people great artistic enjoyment and reflects its lofty from various angles Moral character and noble ambition, in creative practice and rich new theories, are inclusive, bold and innovative, and carefully create many excellent works with high artistic research value, which has attracted widespread attention in the field of painting and calligraphy.
Comments by Lei Zhenmin, a famous painter and former Secretary of the Party group of China Artists Association
Boil years with peony, people and peony are drunk. Mr. Cai Mingzhen, inheritor of CAI's intangible cultural heritage of Jingshan peony painting, and the Jingshan peony Creation Art Troupe led by him, gathered a group of young artists who love calligraphy and painting and love peony creation. After years of continuous practice, their artistic attainments are quite impressive and profound.
Carry the ink to convey the feeling and express the meaning with the ink. Their works cultivate tradition, stand on the present, show righteousness and bring forth new ideas, have distinct themes and diverse styles. These works have strong regional characteristics, showing the painter's sincere feelings and love for the motherland, hometown and the times, and contributing to a different art feast.
Double hand painted beauty. Xiangyang has a long history, outstanding people and profound cultural accumulation. The Jingshan peony Creation Art Troupe, in the form of painting, has a dialogue with this famous cultural city, which is of great significance to promote art exchange, carry forward the excellent traditional Chinese culture, show the superb skills of peony creation, and enrich the people's spiritual and cultural life. We hope to take this performance as an opportunity to strengthen cultural communication, practice the call of "cultural rejuvenation" put forward by the country, and contribute our wisdom and strength to broaden the cultural mind of the Chinese nation.
牡丹作为我国的国花，自古就是富贵吉祥、繁荣昌盛的象征，我们中华民族是一个崇尚美和自然的民族，所以牡丹家喻户晓广受欢迎，国画牡丹也因此成为画家笔下常见的题材，从古到今画牡丹的画家很多，而蔡明振老师笔下的牡丹就构图新颖，意像丰富，有着强烈的时代氛围，博古画在我国传统绘画题材中是一个独特应时且受人喜欢的画种，最早出现在汉代，此后，从出土的唐人墓壁上所见，对后世影响深远，而后五幅作品出现了一些令人匪夷所思的问题，传统与创新之间好像没什么关联，两者之间好像存在一条鸿沟，“回归传统”“慎提创新”等言论而蔡氏荆山牡丹画法，充满着中国画笔墨艺术形象诗意。As the national flower of our country, peony has always been a symbol of wealth, auspiciousness and prosperity. Our Chinese nation is a nation that advocates beauty and nature, so peony is widely known and popular. Therefore, Chinese painting peony has become a common theme in painters' works. There are many painters who have painted peony from ancient times to the present, and the composition of peony in CAI Mingzhen's works is novel, meaningful and strong In the strong atmosphere of the times, the ancient painting is a unique and popular painting type in the traditional painting theme of our country. It first appeared in the Han Dynasty. Since then, from the unearthed tomb wall of the Tang Dynasty, it has a far-reaching impact on the later generations. The last five works have some incredible problems. There seems to be no connection between tradition and innovation. There seems to be a gap between them, "Return to tradition" and "carefully mention innovation" and other words, and Cai's painting method of Jingshan peony is full of poetic image of Chinese painting brush and ink art. The following five works are the painting method of CAI's Jingshan peony, with beautiful lines and fluent painting method, which gives people a refreshing feeling.
Here is Miss Cai's intangible cultural heritage, Jingshan peony painting. Please enjoy it:
The last five are the inheritance and development of CAI's peony painting method. Based on the comprehensive combination of poetry, calligraphy and painting, the works are bold innovation, creating classic works for Chinese painting art in China, leading Chinese painting art out of the country and into the world.