2019-04-18 09:26:32 来源：洞察网
Zhang Jingxiao, Manchu, a member of the Communist Party of China, was born in Longkou, Shandong Province, on February 7, 1938. He graduated from Xinjiang Institute of Technology in 1958 and was assigned to the Karamay Oilfield in Xinjiang in the same year. He has successively served as interns, assistant technicians, propaganda officers of Party committees, trade union officers, labor quotas, test leaders, statisticians, planners, Economic Office directors, deputy heads of planning departments, deputy heads of planning departments, deputy economists, general economists, deputy general managers of Xinjiang Petroleum Labor Service Corporation and deputy general managers of Huayou [Xinjiang] Enterprise Group.
Calligraphy is his hobby. Influenced by her mother Guan Yunqing, she likes to write. But there is no systematic learning of calligraphy knowledge, no expert advice, just hobbies. Before retirement, Zhang Jingxiao was a member of Karamay Calligrapher Association, Xinjiang Calligrapher Association and PetroChina Calligrapher Association. After his retirement, he settled in Huairou, Beijing. He is now a member of Huairou Calligrapher's Association, the Chinese Society of Calligraphy and Painting for the Middle and Old Aged, the Beijing and Chinese Society of Calligraphy and Painting for the Elderly, and the Chinese Couplet Calligraphy Arts Committee. At the same time, it has been employed as academician and calligrapher by many well-known calligraphy and painting academies.
Mr. Zhang Jingxiao's calligraphy works have participated in provincial, municipal and national calligraphy exhibitions (Karamay, Huairou District, Beijing Agricultural and Forestry System, Old Age System, PetroChina System, National Calligraphy Exhibition organized by the Ministry of Culture and major calligraphy and painting academies of provinces and municipalities) and won different awards, ranging from encouragement awards to first-class awards and gold awards. And won the honorary titles of "Strength School Calligrapher", "Baijia Calligrapher", "Civilization Messenger" and "People's Artist". Many calligraphic works have also been compiled into dozens of collections of calligraphic works such as "Chinese Confucian and Merchant Moyun", and a collection of calligraphic exercises of "Gobi Ink Trace" has been published by individuals.
After his retirement, Mr. Zhang Jingxiao studied calligraphy at the Chinese Calligraphy and Painting Correspondence University, and obtained his diploma (non-academic) and the title of excellent student. In 2003, it passed the ISQ9000A certification of artistic [calligraphy]. Mr. Liao Jingwen issued the certificate of qualification and was awarded the title of "Excellent Chinese Calligrapher". Individual calligraphy works and the stories of calligraphy teaching in grass-roots communities have been introduced and reported in newspapers and magazines such as Huairou Daily, Beijing Suburb Daily, Beijing veteran cadres and Huairou TV station. In 2017, he won the silver prize of the 4th National Biennial Exhibition of Calligraphy and Painting for the Middle and Old Aged.
Sincere Feelings and Ten Thousands of Meteorologies: Zhang Jingxian's Impression of Calligraphy
Tang Zhang Huaibao's Shu Shu Shu Shu Shu Duan has a cloud: "Asking for eight strokes, the brushwork is dangerous, the seal body is excellent, flying white crown is excellent, steep than the ancients, the image of fighting the dragon and snake, the tendency of light favor of clouds and fog, the wind and thunderstorm are fierce, acting like a god." The decadence of real deeds comes from the decree, and is not a whole. It is like a spear in a military arsenal. The spirit of wind is more strict than that of wisdom and water, and its embellishment is less than that of Yu Shinan. Their cursive scripts are circulating repeatedly, and they can be regarded as two kings. However, they are frightened to jump on the steed, avoid danger and hurt the elegance.
Mr. Zhang Jingxiao's regular script came all the way from Yan Zhenqing and Yu Shinan, but it tended to be even and neutral. The book uses both square and round strokes, mainly square strokes, full stippling and vigorous strokes. It is not only steep but also rigorous and neat in physique. It keeps steady in its side, and is not lost in its compactness. Its rules are relaxed and clear. The font structure is elegant and generous, the French style is rigorous and lively, seemingly plain, but actually dangerous.
Liu Xizai said in his book Outline: "Books should have both Yin and Yang, and most of them are calm and depressed, Yin is also; Qiba bold and unconstrained, Yang is also. High rhyme, deep affection, strong courage, lack of one can not be a book. In Cai Xizong's On Calligraphy, there is also a saying: "Every word must be bold and vigorous, refreshing and flying." Since ancient times, calligraphy has been based on charm. Qi is the source of life of calligraphy works and the spiritual state of calligraphy itself. And Mr. Hu's cursive script is another kind of appearance: although the dot painting is thin and hard, it is full of vigor and vitality, and the upward choice of strokes is implicit, with the meaning of Li Shu. In his creation, he no longer pays attention to dazzling details, but returns to the confused state of writing. He takes the core of calligraphy in a mixed, simple and direct way, relies on solid brushwork skills, and in the process of consciousness flowing, turns the emotional feelings into the traces of writing.
Contemporary calligraphy is extremely prosperous and mixed with fishes and dragons. In this atmosphere, he should not only dialogue with the ancients in his own way, extract the lines, structure, characteristics, charm, demeanor and other factors of all kinds of calligraphy in the past dynasties, but also sublimate them into his pen and ink spirit to create works that meet the needs of modern aesthetics. We can still attribute his style of writing to the continuation of the style of "Two Kings", but it is extraordinary to show the color of thought and the power of will.
These calligraphy works are sincere and magnificent. He transformed his rich emotions into the points and lines of calligraphy, or surging like waves, or lingering like streams, or setbacks like mountains, overflowing with a kind of masculine, powerful and magnificent atmosphere.